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ACTOR BEING
Krupa, Martin ; MÁLKOVÁ, Eva (advisor) ; MAZÚCH, Branislav (referee)
Bachelor thesis is focused on the Actor's being itself and its development. Thesis also deals with subjective point of view on actor's previous 7 years when he has studied on two other Schools of Arts and either participated Erasmus+ program. Furthermore, author of the thesis strives for development, knowledge, as well as stagnation of his own acting life while facing different educational surroundings and theatrical environments. It includes studies at Janacek conservatory, followed by entering Academy Of Performing Arts, continued with residency abroad at London's Rose Bruford College and additionaly, return to an Academy of Performing Arts. During this period, author engaged in two copyright projects - collective performance called Barunka is leaving and his second solo performance named Borderline-Syndrom. Admittedly, topic about actor's existence is purely subjective, self-knowledging. It creates a reflection, how studying acting influences whole artistic life, how it changes one's mentality, evolution in thinking and attitude of young man, actor novice.
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Famous graduates of the conservatory in Ostrava
Hájková, Petra ; WIESNER, Daniel (advisor) ; OVSOVÁ, Libuše (referee)
My bachelor thesis is dedicated to the Janáček Conservatory and Grammar
School in Ostrava and its, in my opinion, the most significant graduates of the dance department. The
introduction of the thesis briefly deals with the history of the conservatory, which
was founded after several years of efforts in Ostrava. The area around Ostrava
had a lot of talented people who attended elementary art schools and desired for
secondary education, as well as those who lived in Bohemia. The main part of my
thesis is dedicated to personalities who have graduated in this school. Some of
them after finishing their active dance career share their experience with young
artists and some of them are still engaged in the dance arts. These personages
are the great benefit for the artistic life in dance at home and abroad.
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Olga Borissová - Pračiková (Dancer and Teacher)
Králová, Barbora ; JANEČEK, Václav (advisor) ; KŘENKOVÁ, Mahulena (referee)
I wanted to dedicate my Bachelor thesis to summarize personal and working life, career and pedagogic influence of Olga Borissova ? Pracikova, which is also a soloist for National Moravian-Silesian Theatre and member of Pedagogic group Janackova conservatory and gymnasium in Ostrava. Due to study in Kiev?s trade school, she?s influenced by Russian classic dance technique. Within her pedagogical activity she also use technique developed by worldwide known dancer, choreographer and artist Agripina Vaganovova. In this work I have tried to point out exceptional training of her technique and its usage within the dance conservatory environment. By personal opinion of O. Borissova, I would like to make the meaning and application of Vaganovova?s technique more familiar.
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